Rudolf says - NO!
Monday, 24 November 2014
Roman bath, Bothwellhaugh fort, strathclyde, motherwell
The first thing to say about Roman Bridge is that it ain’t Roman. It’s probably a medieval packhorse bridge, although there may have been older crossings over the South Calder Water at the same spot.
To be fair, the Roman connection isn’t far away, so the name isn’t that surprising. Bothwellhaugh Fort sits right on the top of the hill above the bridge, although it’s almost impossible to see now, and the associated bath-house was moved up the slope when Strathclyde Loch was created. Parts of the road that lead from the bridge to the fort are marked as Roman road on old maps.
According to Scotland’s Places, various specialists have dated the bridge to anywhere from medieval times to the 18th century. The most up-to-date suggestion is that it is medieval, but that it was restored by the Hamiltons in the late 17th century.
Strathclyde Park is massive. Covering land between Bothwell, Bellshill, Hamilton and Motherwell, it can be tough to figure out where exactly you are. As usual in this part of the world, the history of the place is pretty much ignored, but there’s plenty of interesting material around.
This afternoon was one of the first decent days in weeks – yesterday the weather couldn’t decide between hailstones, snow and blue skies so it attacked with all three – so we decided on a wee dauner round a part of the park we hadn’t been to before, mostly in the South Calder Glen.
There’s Roman antiquities all over the place round here, although they’re mostly invisible. The car park lies east of Bothwellhaugh Fort, we walk along the line of the Roman road (now called Watling Street) and we’ll circle back round eventually to the bath-house at the bottom of the hill. More of that later.
South Calder Glen is lovely with sandstone cliffs and winding paths, but as we walked upstream the path was mostly on the top of the cliffs so there wasn’t much to see. Except maybe the viaduct, which remained invisible to me until I almost tripped over it, much to the hilarity of everyone else. I was just too busy checking out the many lumps and bumps in the landscape. You’ve heard of not seeing the wood for the trees, but I’ve never heard of not seeing the 100 foot tall viaduct for the trees.
Further upstream the path descends to the riverbank and you can see a waterfall in the distance, which turns to be a dam or a weir. The derelict walls beside it belonged to Holm Forge – about which I can find remarkably little, except that they manufactured spades and shovels. The woods beside the Forge naturally became known as Forge Woods, and the subsequent housing estate was named Forgewood.
We crossed the South Calder at Holm Forge Bridge, an ugly beast, and headed back downstream, momentaily stunned by the aerobatics of a trio of ducks who landed in perfect formation on the river. Looking at Scotland’s Places later, I noticed an antiquity marked ‘Wallace’s Cave‘ just after the viaduct. RCAHMS says this is a mistake: there is no cave here, but the Ancient Family of Clelanddescribes it. We certainly didn’t notice anything, but then if you can’t see a flippin’ great viaduct in your way, a sandstone cave isn’t likely to jump out at you.
The path follows the riverbank before heading uphill and meeting Bellshill Golf Course. Nearby was located Orbiston House, and you can still see the walled garden, the doocot and the icehouse. The river loops back on itself here so there’s a bit more hiking before you cross again, most of it downhill until you reach the Roman Bridge and the bath-house.
The bath-house belonging to Bothwellhaugh Fort was discovered when Strathclyde Loch was being created, and it was subsequently moved from its original location to protect it.
The Hunterian Museum has a beautiful little bit of roof tile complete with a dog’s pawprint from the bath-house. The sort of artefact that everyone smiles at, especially people who wouldn’t smile at the word artefact (which is I suppose, most people). The tile was the Pop Up Museum’s Curator’s Choice for January 2012 (which reminded me of it)
If you look on old maps of this area, a road is marked as Roman, the current Watling Street. The continuation of this road leads back up to the car park from the bath-house. Is it still Roman? It’s certainly an old road, but how old remains a mystery.
The final tired stroll uphill was accompanied by silly stories of runaway Roman soldiers mixing up their words and calling Celts, kilts and vice versa, complete with a dog that kept running across the potter’s handiwork.
It’s taken a long time to get out for the first time this year. Hopefully the weather will hold on another weekend soon :-)
https://doorstephistory.wordpress.com/tag/bothwellhaugh-fort/
£250,000 of public money for the four-armed 'Metal Mermaid' that Scots hope will outshine the Angel of the North.
Today a new monster will be sighted in Scotland.
The towns around Loch Ness have long profited from tourists hoping to glimpse the mysterious lake's rarely-seen inhabitant, but now Cumbernauld hopes for a similar effect from its new 33ft tall metal mermaid.
The final sections of the giant steel sculpture, which aims to help transform the fortunes of the Lanarkshire region, were moved into place this week.
The 33ft high mermaid, named Arria, includes a female form and two swooping arcs and overlooks the A80 northbound to the north of Auchenkilns junction in Cumbernauld.
The £250,000 publicly funded work is the latest in a long line of monolithic sculptures springing up around the country in the name of public art.
Anthony Gormley's Angel Of The North dominates Gateshead, while The Dream, a white stone head overlooks the M62 near St.Helens.
Still in the planning stages is the £2million White Horse at Ebbsfleet. It's salutary that the latter has been designed to be 'at least twice as wide and high as the Angel Of The North', and visible from 20 miles away.
The name for the new work was selected after a competition which asked people living in the area to suggest a title for the work which is part of the next phase in the Cumbernauld Positive Image Project, which aims to revitalise the town. It's derived from the name of Arris Fadilla, mother of Roman Emperor Antoninus for whom the nearby Antonine Wall is named.
Campsies Centre Cumbernauld Ltd (CCCL) - a company established by North Lanarkshire Council to help redevelop the town - has sunk £250,000 of public money into the sculpture created by Andy Scott.
Scott said: 'I am pleased to get to this last stage of the project and finally install her on site.'
'It has been a long and arduous commission for us, with months of very hard work fabricating the form of the sculpture and working with the extensive team of suppliers and contractors.'
Councillor Gerry McElroy, chair of CCCL, said: 'After almost a year of waiting she is now complete and looks fantastic. We are delighted with Arria and Andy has done an amazing job as we knew he would.'
A poem penned by award-winning Scottish poet Jim Carruth is displayed at the foot of the sculpture, which sports a retro hairstyle meant to evoke the optimistic early days of the 1960s-built new town.
Local beautician Amanda McGuinness, 25, said, when asked about the sculpture's power to transform her moribund Lanarkshire hometown': 'Cumbernauld needs burning down and rebuilding, especially the town centre. It needs new shops, new restaurants and new bars..something to liven the place up at night'
http://www.dailymail.co.uk/news/article-1305968/The-Metal-Mermaid-Lanarkshire-Councillors-believe-revitalise-Cumbernauld.html
Sunday, 23 November 2014
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